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Awara / The Vagabond

¾Éºt¡GRaj Kapoor ©Ô¦N¡D¥d¥¬
¦L«×/ 1951/ B & W/ 35mm/ 170'

1/1(¤»)18:30 1/5(¤T)13:30 1/7(¤­)13:30 1/11(¤G)18:30

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©s¶R¤@¦ìª¾¦Wªk©x¡A¥Lªº©d¤l¦b³Q´c®{«R¾Û¡A¤S¦w¥þÄÀ¦^«á¨S¦³¦h¤[´NÃh¥¥¤F¡Cªk©xÃhºÃ³o­Ó«Ä¤l«D¦Û¤v¿Ë¥Íªº¡A©ó¬O±NÃh¥¥ªº©d¤l»°¥X®aªù¡A©Ô¦N¤@¥X¥@´N¹LµÛ¬y®ö±o°½ÅѤé¤l¡A±q¤p»Pªk©x»â¾iªº¤k¨à²ú¶ð¬O¦n¤Í¡AÀHµÛ¥L­Ìªºªø¤j¡A¥L­Ìªº·R·N¤]¦b¦¨ªø¡A¦Ó¤÷¤l·|¨£­±¶Ü¡H¥L­Ìªº·R±¡±N·|¨ü¨ìªýÂZ¶Ü¡H
Judge sentences an innocent man on the conviction that a criminal's son would end up as a criminal. His blind belief is put to test when he is estranged from his wife and son Raj who grows up to become a thief. The only bright spot in Raj's deprived childhood was his school friend Rita. Rita is now a young lawyer and the ward of the judge. The childhood friendship blossoms into love.


  
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Shree 420 / Mr. 420

¾Éºt¡GRaj Kapoor ©Ô¦N¡D¥d¥¬
¦L«× 1951 B & W 35mm 169'

1/4(¤G)18:30 1/6(¥|)13:30 1/11(¤G)13:30 1/13(¥|)18:30

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¤@¦ì¦~«C¤H±aµÛ¸Û¹êªº«H©À¨Ó¨ì©s¶Rµo®i¡C¤£¹L¡A¥Lµo²{¦Û¤v©Ò¬Û«Hªº¸Û¹ê¡B»{¯u¡A¦b³o­Ó¤j«°¥«¸Ì¬O²@µL»ù­È¡A¨C­Ó¤H³£§Æ±æ¥i¥H¨«¬n¸ô¨Ó­P´I¡C¦~«C¤H»{ÃѤF¤@¦ì³h­Wªº¦Ñ®vÁ¨¨È¡A¥L­Ì¬ÛÅÊ¡A¤@°_¤À¨É©¼¦¹¹Ú·Q¡C
A young man comes to Bombay armed with Honesty. He was to find out that his values and beliefs had no worth in a city like Bombay where the social system allowed profiteers, black-marketers, and other species to make fortunes.  

  
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Barsaat / Rain

¾Éºt¡GRaj Kapoor ©Ô¦N¡D¥d¥¬
¦L«× 1949 B & W 35mm 171'

1/8(¤»)18:30 1/15(¤»)21:30 1/16(¤é)18:30 1/19(¤T)13:30

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¬G¨Æµo¥Í¦b¤G¦ì¥D¨¤¨­¤W¡A´¶©Ô¬O¤@­Ó±M±¡ªº¸Ö¤H¡A¥L¹ï±¡¤Hªº·P±¡²`¨è¤S¯Â¼ä¡C´¶©ÔªºªB¤Íºq©¬¡A«h¬O¤@¦ì±¡³õ®ö¤l¡A¤£°±ªº§ó´«¤k¦ñ¡Aª½¨ì¥L¹J¨£¤ß»öªº¹ï¶H¡K
The film revolves around Pran and his best friend Gopal. They both fall in love. Pran's love is true and deep and pure. Gopal's love, on the other hand is nothing but a careless dalliance, a passing fancy.

  
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Kaagaz ke phool / Paper Flowers

¾Éºt¡GGuru Dutt ¥j¾|¡D«×¯S
¦L«× 1959 B & W 35mm 153'

1/5(¤T)18:30 1/8(¤»)13:30 1/12(¤T)13:30 1/14(¤­)13:30

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´¿¸g¬O¦Wº¡¤Ñ¤Uªº¾Éºt¡A¨¯«¢¡F¸¨¾zªº¦^¨ì¦Û¤v¥H©¹¤u§@¦h¦~ªº¤ù³õ¡A¦^¾Ð¦Û¤v¦~»´®Éªº­·¥ú¤é¤l¡A¬°¤F§ä´MDevdas¤@¤ù¤k¥D¨¤¡A¥L»{ÃѤF­»³ö¡A¦Ó¨¯«¢ªº¤k¨à©Úµ´³o¤@¤Á¡Aı±o¬O­»³ö¯}Ãa¤÷¥Àªº±B«Ã¡A¦o­n­»³öÂ÷¶}¤÷¿Ë¡K¡K
The film tells in flashback the story of Suresh Sinha a famous film director. He is divorced and has a daughter with his wife. On a rainy night Sinha meets a woman Shanti for his movie "Devdas". Shanti becomes a star and two lonely people come together. But Sinha's daughter believes that Shanti breaks the marriage of her parents and pleads with Shanti to leave Sinha's life.  

  
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Pyaasa / Eternity Thirsty

¾Éºt¡GGuru Dutt ¥j¾|¡D«×¯S
¦L«× 1957 B & W 35mm 153'

1/9(¤é)18:30 1/15(¤»)18:30 1/18(¤G)13:30 1/20(¥|)18:30

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°¶³Ç¬O¤@¦W¨S¨SµL»Dªº¸Ö¤H¡A¥Xª©ªÀ¤£¦ý¤£¥Xª©¥Lªº¸Ö¶°¡A¬Æ¦Ü±N¥Lªº§@«~±ó¦p©U§£¡A¦Ó¥Lªº¥S§Ì§ó±N¥Lªº¸Ö§@·í¦¨¼o¯È½æ¿ú¡C¤£Ä@¦A³Q¤H¬Ý¤£°_¡A¥L¿ï¾Ü¤F¬y¸¨µóÀY¡A¦]¦Ó»{ÃѤF½àÃÑ¥L§@«~ªº§²¤k¥jÛiÄ_¡A¤@³õ·N¥~¡AÅý¤j®a¥H¬°¥L¦º¤F¡K¡K
Vijay is an unsuccessful poet whose works are not taken seriously by publishers or his brothers who sell his poems as waste paper. Unable to bear their taunting at him being a good for nothing, he stays away from home often out on the streets. He encounters Gulabo, a prostitute on the streets. A train accident, people thought that he is dead¡K

  
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Sahib, bibi aur ghulam / Master, Mattress and Servant

¾Éºt¡GAbrar Alvi
¦L«× 1962 B & W 35mm 152'

1/8(¤»)21:30 1/14(¤­)18:30 1/16(¤é)13:30 1/19(¤T)18:30

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¥¬«n¬O¤@¦ì¦¨¥\ªº«Ø¿v®v¡A¥L¦^·Q°_·íªì¡A¦Û¤v±aµÛ¤@¨­¾Ç°Ý¨Ó¨ì¥[º¸¦Uµª°Q¥Í¬¡¡C»{ÃѤF·í¦a´I°Ó¤Ú¥¬¡A¥Lªº¤k¨à¤Î§Ì·@¬î½{¡A¬Ý¦ü¤T¨¤Ãö«Y¡A¤Ú¥¬­n«ç»ò³B²z¡K
Bhoothnath, a middle-aged architect wanders through the ruins of an old haveli. Flashback to end of the 19th century. He gets ot know the rich family Babu, his daughter and his sister-in-law Chhoti. He is in love with the daughter and wants to help the lonely Chhoti¡K

  
¦L«×¤§¥ÀMother India
Sahib, bibi aur ghulam / Master, Mattress and Servant

¾Éºt¡GMehbood Khan
¦L«× 1957 Color 35mm 152'

1/4(¤G)13:30 1/12(¤T)18:30 1/18(¤G)18:30 1/20(¥|)13:30

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©Ô²ü¬O¦ì¦~ÁÚªº¦Ñ°ü¡A¦b¨ü§ø¥ÁÆg´­ªº¤é¤l¸Ì¡A¦o¦^¾Ð°_¦Û¤vªº±B«Ã¥Í¬¡¡C·í®É¡A¬°¤FÀvÁٶŰȡA¤@®a³£¥²¶·¨¯¶Ôªº¤u§@¡CµM¦Ó¤V¤Ò«o¦]¬°¤@³õ·N¥~¦Ó¥¢¥hÂù¤â¡A¬°¤F¤£·Q¦¨¬°®a¤¤­t¾á¦ÓÂ÷®a¥X¨«¡C±q¦¹¡A¾i¨|¥®¤l¡B²MÀv¶Å°Èªº¤u§@³£¸¨¦b©Ô²ü¨­¤W¡C¦n¤£®e©öµ¥¨ì«Ä¤lªø¤j¦¨¤H¡A¨ä¤¤¤@­Ó¨à¤l«oÅܦ¨¥þ§øªº¼Ä¤H¡A©Ô²ü¸Ó¦p¦ó­±¹ï¡H
Radha now an old woman remembers her past. She remembers her married life. The family has to work extremely hard to pay off the moneylender. Her husband loses both his arms in an accident and feeling useless abandons the family. Alone, Radha has to raise her children. Finally children grew up but one of her son, Birju becomes a rebel committed to direct, violent action.


  
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1942¡G1942¡GA Love Story

¾Éºt¡GVinod Chopra
¦L«× 1993 Color 35mm 160'

1/2(¤é)18:30 1/7(¤­)18:30

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1942¦~¤K¤ë¡A¦L«×ªº·R°ê¥÷¤lµo°_¤F"´Þ¥Á°ê°h¥X¹B°Ê"¡A³o¬O°w¹ï­^°ê¹ï¦L«×´Þ¥Áªº§Üª§¹B°Ê¡C¦b³o¶µ§Üª§¬¡°Ê¤¤¡A­^°ê¬F©²­±¹ï¤âµL¤oÅKªº¦L«×·R°ê¥÷¤l¡A°µ¥X´Ý»Åªº±þ¼®¤â¬q¡A¨Ï±o¾ã­Ó¦L«×³B³BºGª¬¥~¡C¦b¤@¤ù­²©RÁn®ö¤¤¡A¤@¹ï¦~»´¤H¦]¦¹¬Û¹J¡B¬Û·R¡A³o¬q·R±¡¤]§ïÅܤF¥L­Ì¤@¥Í¡C
It was August 1942. The 'Quit India' movement had gathered momentum. Protesters, all over the country and the response of the British became increasingly brutal and what followed was savage repression leading to unprecedented violence on unarmed protesters. It was in the midst of this savage turbulence that Nandu and Rajjo met for the first time and fell in love...a love that changed their lives forever...a love that was destined to be consumed by the ravaging fires of passion and liberation that swept the land.


  
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Pushpak / The Love Chariot

¾Éºt¡GSingeetham Sreenivasa Rao
¦L«× 1988 Color 35mm 125'

1/9(¤é)13:30 1/15(¤»)13:30

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³Í°¨¬O¦ì¦~»´ªÀ·|·sÂA¤H¡A¥Ñ©ó¥Í¬¡ªº¤£´I¨¬¡A¨Ï¥L¤Ñ¤Ñ¹Ú·QµÛµo¤j°]¡C¤@¤Ñ¡A¥Lµo²{¤@®a¤­¬P¯Å¶º©±¸Ì¦íµÛ¤@­Ó¦³¿ú¤H¡Ð¥d«¢§J¡F¤@¦¸¾÷·|¡A³Í°¨¶XµÛ¥d«¢§J°s¾K°½¤F¥L¶º©±©Ð¶¡ªºÆ_°Í¡A¨Ã±N¥L¥}¸T¦b¦Û¤vªº¦í³B¡A¦Ó¥L¤]µo²{¦³¤@¦W¥û¤â¥¿¦b¸òÂÜ¥L¡AºCºC¦a¡A¥L¤]µo²{¤F¥d«¢§J©Ð¤¤ªº¯µ±K¡K¡K
³o³¡¼v¤ù¦³§O©ó¤@¯ëÄ_µÜ¶õ¼v¤ù¡A¨S¦³°Û°Û¸õ¸õ¡A¦ý¬O¨Ì¼Ë¨ü¨ì¦L«×Æ[²³¼ö¯PÅwªï
KAMAL is a young unemployed graduate who in spite of his meager surroundings continues to fantasize about wealth. Once Kamal approaches a five star hotel "PUSHPAK", there he meets a rich man, KHAKHAR. The following night Kamal sees Khakhar lying in a drunken state and Kamal steals his room key and lucks Khakhar in his. While enjoying the luxuries of hotel, Kamal finds out that a killer is chasing him¡K



  
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Monsoon Wedding

¾Éºt¡GMira Nair¦Ì©Ô¡E©`¨à
¦L«× 2001 Color 35mm 113'

1/18(¤G)16:30 1/20(¥|)11:30

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¦b®öº©ªº«B©u­¢ªñ·s¼w¨½¤§®É¡A©Ô§Qºû°¨¥¿¦b¬°¥L¬üÄRªº¤k¨àªü¸¦Äw³Æ±B§¡A¤£¹L¥L¨Ã¤£ª¾¹D¡A§Y±N­nµ²±Bªºªü¸¦ÁÙ©M¤@­Ó¦³°ü¤§¤Ò·t³q´Ú¦±¡Cªü¸¦³Q¦w±Æ»P¨Ó¦Û¥ð¤h¹yªº¦L«×¤uµ{®v¨Ìº¡µ²±B¡A´N¦b·s­¦§Y±N±q¬ü°ê­¸©è¦L«×¤§®É¡A·s®Q«o®`©È¤F°_¨Ó¡A²´¬Ý¤@³õ¤j«B´N­n­°¤U¡K¡K¡C
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. MONSOON WEDDING traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.


  
¿ù·Rªº©I³ê
Hum dil de chuke sanam / Straight from the Heart

¾Éºt¡GSanjay Leela Bhansali®á³Ç¨½©Ô¯ZÂÄùØ
¦L«× 2000 Color DVD 187'

12/31(¤­)22:00 1/1(¤»)21:30 1/7(¤­)21:30 1/14(¤­)21:30

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ª¾¦W­µ¼Ö®a¹F¤Ú»P®a¤H¦í¦b»¨¦v¸Ì­±¡A¤k¨à®R¤B¬O­Ó«D±`º}«Gªº¤k«Ä¡A¨Ã»P±q¸q¤j§Q¦^¨Ó¡A¦í¦b¹F¤Ú®a¸Ì¦V¥L¾Ç²ß­µ¼Öªº¾Ç¥ÍÂĦ̬ÛÅÊ¡C¦ý¬O®R¤Bµ²±B¹ï¶H¦­´N³Q¨M©w¦n¤F¡A¦]¦¹¥L­Çªº·R±¡¥u¯à¹º¤U¥yÂI¡C±B«áªº®R¤B¡A¹ïÂĦ̩À©À¤£§Ñ¡A«K¨M©w¥h¸q¤j§Q§ä´M¦o¤ß·Rªº¤H¡A³o¹ï¦oªº±B«Ã·|¦³¤°»ò¼vÅT¡H
In a palatial house somewhere in Gujarat lives the extended family of Pandit Darbar, a classical singer. His daughter Nandini is very beautiful. During a festival, they expecting a guest, Samir; who is arriving from Italy to learn music from Pandit Darbar. Samir stays in their house, Nandini and he fall in love. But a marriage has already been arranged with another man, and Samir has to go back to Italy.


  
Ä_¨Ó¶õ¤§¤£¥i¯àªº¥ô°È
Main Hoon Na

¾Éºt¡Gªk©Ô¨u ºt­û¡G¨F¾|§J¨u,
2003/¦L«×/35mm/Color/180mins

12/31(¤­)00:30 1/1(¤»)21:30  

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Major Ram Parsad Sharma, a brave army man disguises himself as a student and reaches to a college to find his step brother Laxman Parsad Sharma and to rescue General's daughter Sanjna from a mad court-martialed major Raghwan. In college he meets her beautiful teacher Chandni and fall in love with her.





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Devdas

¾Éºt¡GBimal Roy
¦L«× 1955 B & W 35mm 159'

1/1(¤»)13:30 1/6(¥|)18:301/13(¥|)13:30 1/21(¤­)11:30


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³o³¡¼v¤ù¦Û²Ä¤@¦¸(1928)©ç¥X¥H¨Ó¡A¨ì³Ì«á¤@¦¸©çÄá¡A¾ú¸g¤F¤C¤Q¤T¦~¡A¾y¤O¤£´¿´î¹L¡A¦Ó©Ò¦³ªº§ï½s¤¤¡A¥H1955³o­Óª©¥»³Ì¬°¦L«×Æ[²³©Ò³ß·R¡C
From the first time (1928) adaptation to the last one (2001), it is over 70 years, Indian audience always be attracted by the tragedy story. And this 1955 version is their favorite.


  
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Devdas

¾Éºt¡GSanjay Leela Bhansali®á³Ç¨½©Ô¯ZÂÄùØ
¦L«× 2002 Color 35mm 176'

1/2(¤é)13:30



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Devdas shared a magnetic childhood with his lovely playmate Paro where supreme love was felt before it was understood. But the father of Devdas is not agreed for their love. Unable to bear the agony of a life without Paro, Devdas made alcohol his constant companion. But even before losing the light of life, all Devdas urged, was to see his Paro just once.





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Pather Panchali / Song of the Road

¾Éºt¡GSatyajit RayÂĶ®¦N¡E¹p
¦L«× 1955 B & W 122'

1/1(¤»)11:30 1/4(¤G)21:30 1/6(¥|)21:30 1/7(¤­)11:30 1/9(¤é)21:30

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The time is early twentieth century, a remote village in Bengal. The film deals with a Brahmin family, a priest, his wife, daughter Durga. Later on, Apu is born. With the little boy's arrival, Apu; happiness, play and exploration uplife the children's daily life. Durga and Apu share an intimate bond. One day, Durga is very ill and dies. Then, the family leaves their village in search of a new life.


  
¤j¾ð¤§ºqApur Sansar / The world of Apu

¾Éºt¡GSatyajit RayÂĶ®¦N¡E¹p
¦L«× 1959 B & W 35mm 117'

1/2(¤é)16:30 1/4(¤G)16:30 1/6(¥|)16:30 1/7(¤­)16:30 1/8(¤»)16:30


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Apu is now a graduate and without a job. Unfazed, He is writing a novel based on his life, which he hopes will make him famous. When he meets his old friend Pulu. He coerces Apu to travel to the wedding of his cousin, Aparna. On the day of the wedding, the bridegroom turns out to be mentally deranged and the wedding is canceled. Apu primarily of out sympathy for the bride and some convincing by Pulu, agrees to be the substitute groom. He has not even seen her yet.


  
¤k¯«Devi / The Goddess

¾Éºt¡GSatyajit RayÂĶ®¦N¡E¹p
¦L«× 1960 B & W 35mm 93'

1/8(¤»)11:30 1/12(¤T)16:30 1/13(¥|)21:30 1/14(¤­)16:30 1/16(¤é)11:30

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§ï½s¦ÛPrabhat Kumar Mukherjeeªº¦P¦W¤p»¡¡CDoyamoyeeªº¤V¤Ò¦b¥~¦a°á®Ñ¡A¦Ó¦o¨º¦ì°ªÅv­«ªº¤½¤½²`«H¦o¬O¦L«×Kali¤k¯«ªºÂà¥@¡A°í«ù·@°ü¥²¶·¨ü¨ì·q¥õ¡C·í¦o¤V¤Òª¾¹D«áªð¦^®a¤¤¡A¥L¹Á¸ÕÅý¤÷¿Ë²z¸Ñ¡A¦ý¤÷¿Ë«oµL°Ê©ó°J¡A¹ï¥L¨Ó»¡¡A¨º¨Ç©_Âݲ¬Â¡ªº¤H¡A¦b¦bÃÒ©ú¥L©Ò²`«Hªº¬O¯uªº¡A¦ý¯u¬Û¤S¬O¤°»ò¡H
The film is set in 1860 at Chandipur, in rural Bengal, India. Doyamoyee and her husband Umaprasad live with his elder brother , his wife and wealthy father who takes Doyamoyee as an incarnation of the goddess Kali. Hundreds come for seeking cure from her. To the father, the miracle cure demonstrates the truth of the his beliefs, but what is the truth ?

  
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Manthan/ The Churning

¾Éºt¡GShyam Benegal
¦L«× 1976 Color 35mm 134'

1/2(¤é)21:30 1/5(¤T)21:30 1/11(¤G)21:30

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The story tells the struggle of Indian dairy farmers to gain a fairer share of the proceeds of their labor from the larger milk-processing companies to whom they sell their raw milk.  

  
±¡¼Ü¦¨¦~§ Maya
¾Éºt¡GDigvijay Singh

¦L«× 2001 Color 35mm 102'

1/2(¤é)11:30 1/9(¤é)16:30 1/11(¤G)16:30


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º¿¶®¬O¤@­Ó¤Q¤G·³ªº¤k«Ä¡A¦¨¤Ñ©Mªí­ô¡A¦P®É¤]¬O¥L³Ì¿Ë±KªºªB¤Í--³Ç´Ë¤@°_ª±­A¡C¥Í¬¡¹Lªº¬OµL¼~µL¼{ª½¨ìº¿¶®ªº¥Í²z´Á²Ä¤@¦¸¨Ó¼é¡A¥L­Ìªº¥Í¬¡¦³¤F¥¨¤jªº§ïÅÜ¡K
For 12-year-old Maya, life is a game best played with Sanjay, her closest friend and cousin. Life is carefree. Then Maya gets her first period and everything changes...

  
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A Tale of a Naughty Girl

¾Éºt¡GBuddhadeb Dasgupta
¦L«× 2002 Color 35mm 86'

1/15(¤»)11:30 1/16(¤é)16:30  

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¤pÂí¸Ì¡A¦³­Ó·R¬Ý¡uºëªö¡v¤ù¬q¤£Â_­«¼½«o¤S¬Ý¨ì¥´½OºÎªº¹q¼v°|¦ÑÁó¡AÂí¤Wªº§²¤k¤á¤¤¦³¤@¦W§²¤k¡A«o¦³­Ó·R°á®Ñªº¤k¨à¡A¬°¤F¤k¨à¤@½ú¤lªº©¯ºÖ¡A°µ¥À¿Ëªº·Q±N¤k¨à³\°tµ¹¹q¼v°|¦ÑÁó¡A¤k¨à«h·Q°kÁ׳o­Ó¦w±Æ¡K¡K
Lati is the daughter of a prostitute. Her mother believes that salvation comes through adhering to one's social condition. She wishes to sell her daughter to an old and influential rich man who spends his time watching pornographic films, persuaded that he can make Lati rich and protect her. But Lati wants to escape¡K





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